Bass Curt Olds is a world-renown singer and performer. He’s covered many roles in Gilbert & Sullivan’s greatest works, most recently in our mounting of The Pirates of Penzance. We went backstage with Curt to watch his transformation into the Major-General and to learn more about his process, pre-performance rituals and tips for getting into character.
I always hate the process of putting on heavy wigs and makeup for a production, but I love the look afterwards. The adhesive, spirit gum or mastix, is sticky like syrup and burns a bit upon application. I performed for a couple of years in the Broadway musical CATS, which was probably the heaviest make-up/wig show I’ve ever done. One trick I use as Major-General is to split the mustache into two pieces so it will allow my mouth to move without trouble.
The Major-General is unique because your biggest song is both your first moment on stage and extremely well known. When arias like this come right out of the gate for a character (like Figaro in The Barber of Seville) the performer has one shot to get things right. Patter songs (I do many of them in the repertoire I perform) are always demanding, but the Major-General’s song is extra hard due to it’s fame and it’s location in the show.
No matter what role I am performing, I like to take a little time in my dressing room before I get into costume and makeup and go through the whole show at a quick pace. I usually keep all my notes together that I have been given by directors, conductors, and coaches, and I go through that list, as well. With the Major General, I usually have time to run the lyrics to the song one more time before my entrance, which I always think is a smart idea. No matter how many times I do a role, I still review using this method to make sure I am not taking anything for granted. Every time I review, there is something that I catch that might have been missed in performance.
I’m a big coffee drinker, so I usually will grab a cup of coffee as I head to the theatre. I also like to stay social, so when time allows, I like to prop my dressing room door open so I can keep in the vibe of the show, visit with colleagues and wish them well. I started out as many performers do, working in cramped-quarter theatres and I like to keep in the group frame of mind with Gilbert & Sullivan, which requires a connection from the largest role to every ensemble member for success.
This is my 15th production of Pirates (8 Pirate Kings and 7 Major Generals). Next up I will do my 24th production of Ko-Ko in Mikado, which is my favorite role of all. I love this rep so much and I am happy to see opera and theatre companies include it in standard rep. Despite it being viewed as a guilty pleasure by so many opera patrons, it usually sells out and many times companies add performances because of demand. That speaks volumes.
It’s been such a pleasure to perform with Atlanta Opera and I have had a great time in this city. This cast includes some of my very close friends and I think Tomer Zvulun has assembled a brilliant group of singing actors perfectly suited for this type of show. I look forward to see what exciting things are coming for Atlanta Opera audiences and I hope I have the opportunity to return again soon.
All photos by Vicky Legaspi.
Usage of any images on this blog is restricted to The Atlanta Opera and approved news websites. Any other usage, particularly for professional purposes, must have written permission. For additional information, please contact The Atlanta Opera at 404.881.8801.