Careers & Auditions

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Auditions

Assistant Principal Cello – Tenure Track

If the Assistant Principal Cello position is won by a current member of the orchestra, the resulting section vacancy may be offered to the runner-up.

 

AUDITION INFORMATION

  • Audition date: November 7, 2024, Preliminary/ Finals
  • Résumé deadline: October 24, 2024
  • Notification sent to invited candidates: October 31, 2024
  • Audition Repertoire link: Cello Repertoire
  • Applicants can send a one-page resume to: [email protected]
  • No phone calls please.

 

ADDITIONAL INFORMATION

  • Audition Location: 1575 Northside Dr NW, Suite 350, Atlanta, GA 30318
  • The Atlanta Opera does not offer financial assistance for Auditions
  • The Atlanta Opera Orchestra is an AFM Union engagement
    • Musicians work under the current CBA Agreement
  • The Atlanta Opera Season is four Mainstage productions and two Discoveries productions, annually from August through May
    • Not all musicians are contracted to play all productions
    • The average number of services per production is ten
  • The winner of the audition may be invited to join the current 2024-25 remaining season.
    • Remaining productions include Macbeth, Siegfried, and Semele. Information on each production can be found on this website by following the links.
  • Joining the remaining season is not mandatory, but the musician who wins the audition and accepts the position will be expected to join the 2025-26 production season.

Oboe/English Horn

 

AUDITION INFORMATION

  • Audition date: November 6, 2024, Preliminary/ Finals
  • Résumé deadline: October 23, 2024
  • Notification sent to invited candidates: October 30, 2024
  • Audition Repertoire link: Oboe/English Horn Repertoire
  • Applicants can send a one-page resume to: [email protected]
  • No phone calls please

ADDITIONAL INFORMATION

  • Audition Location: 1575 Northside Dr NW, Suite 350, Atlanta, GA 30318
  • The Atlanta Opera does not offer financial assistance for Auditions
  • The Atlanta Opera Orchestra is an AFM Union engagement
    • Musicians work under the current CBA Agreement
  • The Atlanta Opera Season is four Mainstage productions and two Discoveries productions, annually from August through May
    • Not all musicians are contracted to play all productions
    • The average number of services per production is ten
  • The winner of the audition may be invited to join the current 2024-25 remaining season.
    • Remaining productions include Macbeth, Siegfried, and Semele. Information on each production can be found on this website by following the links.
  • Joining the remaining season is not mandatory, but the musician who wins the audition and accepts the position will be expected to join the 2025-26 production season.

Two Open Positions:

  • Assistant Principal 2nd Violin – Tenure Track
  • Rotating Section Violin – Tenure Track

All candidates applying for an audition will be automatically considered for both positions unless candidate indicates they are only interested in being considered for a specific position.

If the Assistant Principal 2nd Violin position is won by a current member of the orchestra, the resulting section vacancy may be offered to the runner-up.

 

AUDITION INFORMATION

  • Audition date: November 9, 2024, Preliminary/ Finals
  • Résumé deadline: October 26, 2024
  • Notification sent to invited candidates: November 1, 2024
  • Audition Repertoire Link: Violin Repertoire
  • Applicants can send a one-page resume to: [email protected]
  • No phone calls please

 

ADDITIONAL INFORMATION

  • Audition Location: 1575 Northside Dr NW, Suite 350, Atlanta, GA 30318
  • The Atlanta Opera does not offer financial assistance for Auditions
  • The Atlanta Opera Orchestra is an AFM Union engagement
    • Musicians work under the current CBA Agreement
  • The Atlanta Opera Season is four Mainstage productions and two Discoveries productions, annually from August through May
    • Not all musicians are contracted to play all productions
  • The average number of services per production is ten
  • Assistant Principal Second Violin and Section Violin may be invited to join the current 2024-25 remaining season
    • Remaining productions include Macbeth, Siegfried, and Semele. Information on each production can be found on this website by following the links.
  • Joining the remaining season is not mandatory, but the musician who wins the audition and accepts the position will be expected to join the 2025-26 production season.

Jobs

Reports to:  Director of Production
FLSA Status:  Exempt
Employment Status:  Full-time
Supervisory Requirements:  Yes
Hire Dates:  July 1, 2025
Pay:  $70,000 – $80,000 BOE + Benefits

SUMMARY

The Production Stage Manager (PSM) is a critical member of the Production team, acting as the key communicator of all production-specific needs and disseminating this information to TAO Production/Artistic staff, visiting creative team members, and Marketing and Development team members, as needed. During the rehearsal period the PSM is the main source of communication between TAO and all members of a production (artists, designers, etc.). The PSM is also responsible for working with the visiting creative team members and TAO staff to determine all rehearsal and performance needs for each production throughout the season and coordinating with the TAO Film Department for filmed productions. The PSM will work closely with the Director of Production (DOP) and the Director of Artistic Administration (DOAA), to determine staffing needs for Stage Management for each season.

DUTIES & RESPONSIBILITIES
Position responsibilities include, but are not limited to the following duties, in addition to other duties as assigned.

  • The PSM acts as the calling stage manager for TAO’s season and supervises the stage management department including seasonal staff and interns. Perform those duties that are industry standard for the position.
  • The PSM will be responsible for calling four (4) or five (5) of the six (6) productions based on an appraisal of the specific production needs during the season. After discussion with the DOP the PSM and DOP will make other assignments for Stage Management as needed. Calling shows includes running all technical rehearsals & cuing sessions.
  • Works closely with the DOP, DOAA, and Associate Director of Production (ADOP) to gather all relevant information for each production throughout the season.
  • Coordinate with the ADOP and DOAA the creation of all rehearsal schedules and works closely with the Technical Director (TD) to plan and schedule all technical and dress rehearsals for each production.
  • Coordinate with DOAA to schedule all orchestra rehearsals.
  • Coordinate with the ADOP/TD to schedule all production meetings to facilitate the smooth transfer of all relevant production information for each TAO production.
  • Manages the Stage Management team in preparing the room for rehearsal, including working with the Costume Shop Staff and the Properties team to ensure all needed items are prepared prior to the start of the rehearsal period.
  • The PSM will coordinate the creation and distribution of all rehearsal schedules and calendars, scenic breakdown, contact sheets, rehearsal and performance notes/reports, archival documentation for all productions, and any other document, as needed.
  • Develop/coordinate with the Costume Shop the scheduling of all fittings and dressing room assignments.
  • The PSM will work closely with the DOP/ADOP in assessing strengths and skills of Stage Management staff and make recommendations for each season based on those assessments.
  • Help coordinate light walkers.
  • Oversee supply inventories in stage management road box and standard artist hospitality inventories.
  • Time Scores.

COMPETENCIES & QUALIFICATIONS

  • Must be able to confidently and calmly manage.
  • Must be able to read music confidently.
  • Must have proven ability of leading a stage management team and working with a union crew, union orchestra, and large groups of people throughout the production process.
  • Is proficient in Microsoft Office Suite and Adobe Acrobat.
  • Strong administrative and project management skills.
  • Can work independently and meet deadlines.

MINIMUM REQUIREMENTS

  • Bachelor’s degree in theater or equivalent work experience.
  • Relevant production experience, with a minimum of 5-7 years’ experience as a Stage Manager.
  • Excellent written and oral communication skills.
  • Ability to manage multiple projects simultaneously and achieve results in a timely fashion.
  • Ability to work collaboratively within the Production and Artistic teams.
  • Ability to communicate using a phone and headset.
  • Ability to lift up to 25 pounds.
  • Must perform the functions of the position in a safe manner.

Please email resume with cover letter and references to [email protected].
Include Production Stage Manager in the subject line.
No phone calls please.

Reports to:  Director of Sales & Marketing
FLSA Status:  Exempt
Employment Status:  Full-time
Supervisory Requirements:  Yes

SUMMARY

Patron Services Manager (PSM) is responsible for:

  • The management of the ticket services department including the supervision of full and part-time ticketing employees and providing exceptional customer service experience to patrons.
  • Oversees all aspects of Tessitura, OTT, and site-specific CRM administration.

DUTIES & RESPONSIBILITIES
Position responsibilities include, but are not limited to the following duties, in addition to other duties as assigned.

Patron Services Management 

  • Oversees all activities of patron services working in coordination with the Director of Sales Marketing (DSM), Director(s) of Development (DoD), and Director of Education & Community Engagement (DoE).
  • Supervises, hires, and trains Box Office Associates.
  • Devises and implements policies, procedures, and patron loyalty programs that maximize ticket revenue and annual fund donations while encouraging patron retention and ascension up the loyalty ladder.
  • Works with the DSM to devise a fully functional subscriber benefits system and patron experience.
  • Ensures patron services provides excellent customer service for ticket buyers by professionally directing and managing ticket ordering (phone, mail, fax, web, mobile, and in-person), processing and fulfillment, phone and message inquiries, and phone message lines.
  • Manages satisfaction of patron ticket issues and requests as quickly and courteously as possible.
  • Directs and manages the subscription ticketing process including order confirmations, seating, mailing ticket packages, and producing renewal invoices.
  • Manages fulfillment of all subscriber ticket exchanges, upgrades, and donations; works closely with the DoD to fulfill special ticket needs of high-level contributors, cultivates, sponsors, and board members.
  • Supervises all aspects of the group sales campaign, helping to devise strategies, tactics, timelines, and measurement for group sales ticket revenue.
  • Oversees and facilitates the daily operations of the renewal and new acquisition subscription telemarketing campaigns; serves as day-to-day point of contact with telemarketing firm and manages in-house mini campaigns.

Database Management

  • Oversees all aspects of Tessitura, OTT, and site-specific CRM administration.
  • Improves procedures and processes relating to database management that will ensure data integrity is maintained and reports are generated accurately.
  • Serves as checkpoint for quality control for all records, reports, lists, and data.
  • Responsible for cyclical buildout of all products and coordinating with departments of any changes.
  • Implement TNEW build outs and coordinate with Web Developer and marketing team to support transactional integrations between website and API plug-ins to Tessitura.
  • Assist with departments Tessitura lead with any projects or issues surrounding day to day use of Tessitura.
  • Stay current on all updates and advancements in Tessitura capabilities and functionalities and inform department leads of any impacts they may have on SOP’s.
  • Ensures all SOP’s related to Tessitura are maintained.
  • Perform system/database upgrades as needed.
  • Work with the department leads to ensure data entry policies are in compliance with policy.
  • Provide technical advice, training and analytics dashboards to department leads.
  • Provide Tessitura functionality expertise to support application users in the design and execution of lists, extractions, output sets and analytic dashboards.
  • Oversee data capture to proactively enable reporting and data analysis.
  • Assist as needed with departmental projects such as season setup and configuration, campaign and appeal setup and planning, event setup, and financial reconciliation.
  • Oversee the Tessitura contract hours with all departments and inform them of best use of hours, as well as advise on additional extended use of hours.
  • Work with the IT department to ensure that all hardware and server needs are up to date for any Tessitura advances.
  • Serve as lead communicator with Tessitura Consortium, Power Users, and account reps on any open tickets or technical requests.
  • Communicate with department leads of any requests and assist with project development.
  • Lead weekly meetings with departmental Tessitura leads and summarize any issues to the DSM and DoD.
  • Oversee all database tasks that relate to constituent transactions and data hygiene across platforms and products.
  • Research and implement new database systems as needed by various departments.
  • Maintain all Atlanta Opera database systems including but not limited to
    • Ticketing/Advancement/Tessitura
    • Ticketmaster/CEPAC
    • Vimeo OTT
    • Apache/Web/WordPress
    • Collections/TBD
    • Square Reporting
    • Event Specific systems

COMPETENCIES & QUALIFICATIONS

  • Excellent written & oral communication and problem-solving skills.
  • Strong organizational skills and attention to detail.
  • Ability to meet deadlines and manage multiple projects simultaneously and efficiently.
  • Proficiency in Microsoft Office software required.
  • Strong Adobe Acrobat knowledge.
  • Knowledge of or strong interest in opera preferred.
  • Ability to work collaboratively with multiple departments.

MINIMUM REQUIREMENTS

  • Bachelor’s degree or equivalent work experience.
  • 5 years’ experience of box office management.
  • Tessitura ticketing software with expert knowledge of TNEW and subscription experience required.
  • Position requires evening and weekend obligations during the opera season.
  • Ability to sit at a workstation for up to and over eight hours per day.
  • Must be able to lift up to 25 pounds.
  • Must perform the functions of the position in a safe manner

Please email resume with cover letter and references to [email protected].
Include Patron Services Manager in the subject line.
No phone calls please.

Supernumeraries

Supernumeraries are non-speaking, non-singing roles in opera, similar to extras in movies. Casting needs vary per production. The Atlanta Opera accepts supernumerary applications any time.

There are no supernumerary needs at this time. Please check back for updates.

To apply online for future consideration, please fill out the form below. Once received, we will add your name to our files, and we will contact you if there is a casting need for a production.

Volunteer

Volunteers help us fulfill our mission of presenting world-class opera productions, while fostering education about this important art form. Just some of the ways you can volunteer with The Atlanta Opera:

  • Selling merchandise at Shop Opera
  • Light walking (standing on stage while lighting is focused)
  • Final Dress Rehearsal
  • Phone relief/receptionist coverage
  • Archives
  • Filing
  • Special events

For more information about becoming an Atlanta Opera volunteer, please fill out the form below, or contact Emily Crisp at [email protected]