Help Figaro Get Married!

I’m always excited when Jason Hardy comes to sing with us because I sang in choir with him when we were both undergrads at Emory University, so it feels like a class reunion. He’s exactly the same guy now that he was back then – talented, handsome, fun, and so, so nice. He’s got a great work ethic, too, which is another reason we love having him here (and possibly the reason he’s an opera singer and I just sell the tickets, but let’s not make this all about me).

Jason had a few really rough years. He stood by the side of his wife, Bevelyn, as she fought with cancer, and he took sole custody of her son, Lucas, and their daughter, Sabrina, after her death in 2007. He stayed as upbeat and friendly as he could during that time, but I could see and feel the spark missing from his eyes.

Well, guess what? Jason’s engaged!!! He proposed onstage, in full Figaro costume, to singer Carrie Kahl (whom the complicit director had sneakily hired as a last-minute replacement for the role of Barbarina), and let me tell you, his spark is back! He stopped by today to say hello, and he is obviously a man who is giddy in love.

The only problem? With both of them working as professional singers and raising two children, there has been no time or money to plan a wedding. Well, Jason, The Atlanta Opera wants to help! We’re asking all of our staff, singers, patrons, and fans to vote for you in Crate & Barrel’s Ultimate Wedding Contest!

Go here to read Jason and Carrie’s story and to place your vote for this couple, who made it through a Puccini-style romantic tragedy to find a happy ending worthy of Mozart.

(Guest blogger Lindsay Smith works in The Atlanta Opera’s Ticketing Services office.)

Getting to Know Soprano Nicole Cabell

Looking forward to our production of The Magic Flute, we’re getting very excited about all the singers who will be new to The Atlanta Opera stage, including soprano Nicole Cabell. Nicole, our Pamina in Flute, quickly gained fame after winning the 2005 BBC Singer of the World Competition in Cardiff and has been rising in the world of opera ever since.

Check out this video on her debut album:

Also, read up on Nicole Cabell in this great Met interview to find out how she approaches the character of Pamina and which profession she wanted to pursue when she was a teenager!

If you want a chance to catch Nicole before The Magic Flute, she’ll be singing at the Savannah Music Festival on Monday, March 29 at 6:15 p.m. at Telfair Academy. More information is available here.

For info on Nicole’s recordings and other videos, visit her website.

Pre-Performance Entertainment

If you attended one of our performances of Aida, you no doubt noticed the great student musicians who played in the lobby beforehand.

For our opening night performance on Saturday, February 27, we were joined by a woodwind quintet made up of players from the Atlanta Youth Symphony Orchestra.

Especially popular were the Urban Youth Harp Ensemble, which played before last Friday’s performance:


At Sunday’s matinee, we enjoyed hearing a string quartet from the Cobb Youth Symphony Orchestra.

We want to thank all of these talented students for giving their time to entertain us before our Aida performances!

Aida Production Photos!

Photographer Tim Wikerson was on hand at our Final Dress Rehearsal of Aida last night to take some photos for us, so take a sneak-peek!

Mark Delavan (Amonasro) and Mary Elizabeth Williams (Aida):

Morris Robinson (Ramfis):

Kenneth Kellogg (King of Egypt):


Mary Elizabeth Williams (Aida) and Antonello Palombi (Radames):


Elizabeth Bishop (Amneris):

Q&A with Mary Elizabeth Williams, our Aida

Since Soprano Mary Elizabeth Williams is singing her very first Aida here with us, we want to give you a chance to get to know her a bit better. A resident of Philadelphia (when she’s not on the road), Williams answered the following questions for us:
What was your first opera experience?I’m not exactly sure, to be honest. I remember that a group of young opera singers came to my elementary school and put on a show for us, which I really liked–but my parents also liked classical music of all kinds, and took me with them to see concerts and shows from an early age. I was very lucky in that respect. I’m pretty sure the first fully staged opera I attended was I Puritani, by Bellini. I was about 14 years old.

When did you realize that opera was your career?In my opinion, the life of an artist is always in flux, and there are times when I feel more and less like I’m having an “opera career”, but I always feel like a singer. I would say that I have been on this particular career path for about 4 years, which is when I moved back to America after living and studying in Paris. I began working with an agent in New York have been gradually finding work ever since.

What has been the biggest challenge in your performance career?There is no proven path to securing a prosperous career as a singer, so we artists need not only to be good performers, but also good businesspeople; it’s like owning a business for which you are the product! Learning how to balance the stresses of being an artist while also running my “business” has been a big challenge, but I’m getting better at it every season.

What do you like to do when you’re not singing?I love the movies, so when I’m in a new town, the first place I scout out is the nearest movie theater. I’m a pretty good cook, and I like to entertain. I make jewelry, and can be rather crafty (knitting, cross stitch, etc.). I enjoy working out to stay in shape; when it’s sunny, I really like to walk around in town and people-watch. Sometimes, I drag my friends to go bowling with me. I’m not very good at it, but it’s great fun. I’ve always loved to read, so I’m always in the middle of some book or another.

If you were not a singer, what would you be?
When I was a kid, I wanted to be the Chief Justice of the Supreme Court, but I have since reconsidered the advisability of that plan! Sometimes, now, I daydream about being a jeweler. I LOVE jewelry—especially semi-precious gems. I also think I’d like to work in the magazine business as a writer or editor.

You have to travel a lot in this profession. What has been your best travel experience?They have all been pretty good, to be honest. I have managed to find something fun and interesting in every place I have ever been for work. Most recently, I had a very fun trip to Poznan, Poland. I sang just one concert, so I was there for only 5 days! It was a quick trip and the jet-lag was horrible, but I enjoyed walking around in the city and practicing my pitiable Polish on the shopkeepers. It was great fun, and very beautiful.

Aida Rehearsal Photos!

The Atlanta Opera’s production of Aida opens this Saturday (we’re so close!), so we want to share some photos from staging rehearsal:

Soprano Mary Elizabeth Williams and Tenor Antonello Palombi:
Conductor Yoel Levi with Baritone Mark Delavan, Antonello Palombi, and Mary Elizabeth Williams:

Mary Elizabeth Williams talks with Stage Director Trevore Ross:
Mary Elizabeth Williams, Mark Delavan, and Antonello Palombi:

Mezzo-Soprano Elizabeth Bishop:

Antonello Palombi and Bass Morris Robinson:

If you’re wondering about some of the emotions behind these photos, check out our Aida Opera Guide to learn about the characters (and the love triangle!) of Aida. This guide also includes some great information on composer Giuseppe Verdi and some interesting Aida facts.

Morris Robinson WSB Interview

Atlanta native bass Morris Robinson-who is making his Atlanta Opera debut as the high priest Ramfis in our production of Aida-taped a great interview with WSB’s Scott Slade earlier today. The interview will air on the radio later this week, but we’ve got a sneak preview for you. Take an afternoon break, and enjoy listening!

Morris Robinson WSB Interview

Video: Mary Elizabeth Williams at First Congregational Church

This past Sunday, soprano Mary Elizabeth Williams sang during the morning service at First Congregational Church of Atlanta, and we’ve got a short video for you to watch:

Thank you to First Congregational for inviting us, and thank you to Mary Elizabeth Williams who was so gracious (and even helped us sell some tickets!).

Aida Opera Chat Photos

We had a great time at our Opera Chat last night!

Soprano Mary Elizabeth Williams, mezzo-soprano Elizabeth Bishop, tenor Antonello Palombi, and The Atlanta Opera’s Director of Artistic Administration, Eric Mitchko, talk about Verdi and Aida:

Upcoming FREE Aida Events

Here at The Atlanta Opera, we’ve been gearing up for our next production, Verdi’s Aida, and we want to make sure you know about all the related—and FREE—events that will be taking place over the next few weeks.

Opera Chat (TONIGHT!)Thursday, February 11, at 7:00 p.m.
Barnes and Noble Buckhead, 2900 Peachtree Road NW, Atlanta, GA

Join us for an informal conversation with soprano Mary Elizabeth Williams, tenor Antonello Palombi, and mezzo-soprano Elizabeth Bishop from The Atlanta Opera’s upcoming production of Aida. Gain inside information on The Atlanta Opera production, rehearsal process, and life as an artist. Hosted by Eric Mitchko, Atlanta Opera Director of Artistic Administration. This event is free and requires no reservation.

Mary Elizabeth Williams at the First Congregational ChurchSunday, February 14, at 11:00 a.m.
First Congregational Church, 125 Ellis Street, Atlanta, GA

Soprano Mary Elizabeth Williams—our Aida—will sing during the worship service at First Congregational Church. Don’t miss this free opportunity to hear such a great talent!

Opera 101Monday, February 22, at 7:00 p.m.
The Atlanta Opera Center, 1575 Northside Drive NW, Building 300, Suite 350, Atlanta, GA

Led by longtime opera connoisseur and Honorary Board Member Carter Joseph, Opera 101 is a prep course for the upcoming production of Aida. Patrons are introduced to the history, background and story line of the opera. The composer, librettist, key characters, musical theme and selected arias are featured in an entertaining and interesting multi-media presentation. This event is free, and reservations are required by calling 404.881.8801.

The Atlanta Opera Master Class with Mezzo-Soprano Elizabeth Bishop
Thursday, March 4, at 11:00 a.m.
Georgia State University, Florence Kopleff Recital Hall, 10 Peachtree Center Avenue, Atlanta, GA

Mezzo-Soprano Elizabeth Bishop—Amneris in The Atlanta Opera’s production of Aida—will lead this exciting master class. This event is free. Visit www.music.gsu.edu or call 404.413.5901 for more information.

We hope you’ll join us for one or more of these events as we prepare for Aida. For tickets to Aida performances (2/27, 3/2, 5, 7), visit our website or call 404.881.8885.

Also, be sure to bookmark our handy calendar; it’s a great way to keep up with upcoming events!