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Section Violin

Application deadline: Friday, April 10, 2019
Audition date: Wednesday, May 1, 2019
Audition time: TBA
Location: TBA

Click here for violin repertoire.

Highly qualified applicants please send a one-page resume to No phone calls please.

2019-20 Atlanta Opera Studio Auditions

Auditions for the 2019-20 season are closed.
Please check back Fall 2019 for information about the 2020-21 season auditions.

General Chorus

Download audition flyer

May 2, 6, 11, 2019

  • Casting will be for the 2019-20 season: La Cenerrentola, Porgy and Bess, and Madama Butterfly
  • Resume deadline is Monday, April 22, 2019
  • Please email a PDF resume and headshot to Do not email links for online resumes.
  • Those singers granted an audition will be notified by Thursday, April 25, 2019.
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  • Audition submissions are open to all singers, even those who have previously auditioned for The Atlanta Opera Chorus.
  • Singers must be a local/regional resident, due to requirements of the rehearsal schedule of each opera.
  • Must be available to rehearse evenings and weekends.

Audition preparation:

  • Please prepare three selections – (Two arias, one must be in Italian. No art songs, please.)
  • One classical musical theater piece, such as Rodgers and Hammerstein

A pianist will be provided, or you may bring your own. Resume deadline is Monday, April 22, 2019


Marketing & Communications Manager

Reports to: Director of Marketing
FLSA Status: Exempt
Employment Status: Full-Time
Supervisory Requirements: None


The Marketing & Communications Manager works with the Director and Associate Director of Marketing & Communications to develop and implement all marketing activities for The Atlanta Opera.

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  • Provide support for marketing activities including subscription and single ticket sales campaigns, advertising, telemarketing, special promotions, direct mail and audience development campaigns
  • Lead the Atlanta Opera’s retail operation, ShopOpera, including coordinating and training volunteers, buying and pricing merchandise and reconciling sales with the finance department to generate revenue
  • With Associate Director, develop digital content and marketing strategy for The Atlanta Opera, including social media, website, email marketing, and other digital outlets
  • Manage and market patron experience events like Young Professionals Opera’s Night Out
  • Work with Tessitura database on reports, research and list pulls
  • Compile and/or write copy, create editorial calendar, and supervise the proofing process for the ARIA, the Atlanta Opera’s production program.
  • Help manage budget by processing quotes and invoices, and managing costs associated with marketing programs
  • Write press releases, emails, and other opera communication as needed
  • Support marketing team responsibilities during performances as assigned by Front of House manager.


  • Excellent written and oral communication, and problem-solving skills
  • 2-4 years in communications, PR, or marketing, with ad buying/media placement experience
  • Ability to meet deadlines and manage multiple projects simultaneously and efficiently
  • Strong analytical skills
  • Knowledge of opera/classical music a plus
  • Collaborative team player


  • Bachelor’s degree
  • Microsoft Office Suite
  • Wordfly or other email marketing service
  • Experience using Tessitura a plus
  • Must perform the functions of the position in a safe manner
  • Position requires evening and weekend obligations during the opera season

Please email cover letter and resume with references to, and include Marketing & Communications Manager in the subject line. No phone calls please.

Costume Shop Foreman

Reports to: Costume Coordinator
FLSA Status: Exempt
Employment Status: Seasonal Full-Time
Supervisory Requirements: Yes


The Costume Shop Manager will support the mission of The Atlanta Opera by supervising the work of the costume shop in the creation of world class opera production on both a grand and intimate scale. The Costume Shop Manager will supervise the work of the costume staff and report to the Costume Coordinator.

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  • Supervise the daily work of the costume shop. Maintains the work flow of built, purchased, rented or pulled costume projects in the shop by monitoring all construction processes; monitoring personnel and resource needs
  • Hire seasonal shop and wardrobe staff and per-production over-hire as necessary
  • Resolve staffing issues by identifying staffing needs; making recommendations for hiring and performance evaluation; training and assessing training gaps of current and new staff
  • Schedule and maintain staff hours, timesheets, and pay roll
  • Manage costume shop seasonal budgets and expense accounts, working closely with the accounting department to comply with all financial policies
  • Schedule and attend all costume fittings to ensure consistency and construction standards
  • Attend all dress rehearsals supporting the work of the Costume Coordinator and Wardrobe Supervisor
  • Maintain inventory and order shop supplies
  • Researching and sourcing supplies, materials and equipment
  • Provide instruction and development for other employees
  • Take on shop projects as needed
  • Other duties as assigned



  • Knowledge of costume history, construction techniques, and fabric
  • Knowledge of draping, cutting, constructing, fitting, and alterations
  • Knowledge of safety standards for costume related equipment, products and tools and their implementation is necessary
  • Basic sewing machine repair and maintenance
  • Excellent computer skills (Excel, Outlook, Word, DropBox)
  • Excellent interpersonal, organizational, problem solving and management skills
  • Ability to multi-task and execute projects efficiently and according to schedule


  • Bachelor/Bachelor Fine Arts or graduate degree in Costume Technology or Management or equivalent work experience in a professional theatrical costume shop
  • 5 years’ experience in costume technology with demonstrated supervisory experience, quality work in a fast-paced environment
  • Must be able to work nights and weekends

Please email cover letter and resume with references to, and include Costume Shop Foreman in the subject line. No phone calls please.


Reports to: Costume Coordinator
FLSA Status: Non-exempt
Employment Status: 1 Seasonal Full-Time / hourly
Supervisory Requirements: no

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  • Constructs or alters all assigned costumes according to the instructions
  • Actively participates in a team
  • Researches the period, style, and techniques necessary to complete the costume within the costume designer’s guidelines
  • Maintains the integrity of the costume design
  • Assists Costume Coordinator during fittings


  • Ability to operate shop equipment including industrial and domestic sewing machines, multi-needle and leather sewing machines, steam irons, and cutting tools
  • Hand sewing
  • Ability to listen, take instruction, and participate in a team to complete the builds/alterations
  • Excellent organizational skills
  • Excellent time-management skills
  • Ability to work under tight deadlines
  • Works well in a face-paced and high-pressure environment
  • Ability to lift 20 pounds



  • Able to perform a variety of construction and alteration techniques with minimum guidance
  • Demonstrates proficiency hand sewing techniques
  • Knowledge of/and experience in a variety of costume construction techniques including tailoring, period construction techniques, and alterations
  • Demonstrates knowledge in theatrical construction and quick rigging techniques
  • Understanding of period shape and how to adapt it to theatrical costumes
  • Good working knowledge of costume history
  • Ability to collaborate with the costume team to efficiently complete assigned projects

Please email cover letter and resume with references to, and include Stitcher in the subject line. No phone calls please.


Supernumeraries are non-speaking, non-singing roles in opera, similar to extras in movies. Casting needs vary per production. The Atlanta Opera accepts supernumerary applications any time of year for all those interested in being a part of an operatic production.

To apply online, please fill out the form below. Once received, we will add your name to our files, and we will contact you if your description fits our casting needs for a production.

La traviata

The Atlanta Opera is looking to cast both male and female supernumeraries for our upcoming production of La traviata. The classic grand opera, composed by Verdi, is one of the most popular and performed operas in the world today.

Rehearsals begin April 4, 2019 with performances on April 27, 30, May 3, 5.   Required rehearsals are primarily evenings and weekends – detailed schedule details are listed below.  These are paid positions.

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Click here for more information about La traviata

To submit an actor/super application, please fill out the form below, and contact Wade Thomas at with any questions.

Rehearsal Schedule

Friday, April 5 – 7-10pm – The Atlanta Opera Center
Saturday, April 6 – 2-5pm – The Atlanta Opera Center
Sunday, April 7 – 7-10pm – The Atlanta Opera Center
Tuesday, April 9 – 7-8:30pm – The Atlanta Opera Center
Friday, April 12 – 7-10pm – The Atlanta Opera Center
Saturday, April 13 – 2-5pm – The Atlanta Opera Center
Sunday, April 14 – 7-10:30pm – The Atlanta Opera Center
Tuesday, April 16 – 7-10:30pm – The Atlanta Opera Center
Thursday, April 18 – 7-10:30pm – The Atlanta Opera Center – Final Room Run

Saturday, April 20 – 7-11pm – Cobb Energy Performing Arts Centre – Piano Tech #1
Monday, April 22 – 2-5pm – Cobb Energy Performing Arts Centre – Piano Tech #2
Monday, April 22 – 7-10:30pm – Cobb Energy Performing Arts Centre – Piano Tech #3
Tuesday, April 23 – 6-10:30pm – Cobb Energy Performing Arts Centre – Piano Dress
Wednesday, April 24 – 6-10:30pm – Cobb Energy Performing Arts Centre – Orch Dress #1
Thursday, April 25 – 6-10:30pm – Cobb Energy Performing Arts Centre – Final Orch Dress

Saturday, April 27 – Performance #1 – Cobb Energy Performing Arts Centre
Tuesday, April 30 – Performance #2 – Cobb Energy Performing Arts Centre
Friday, May 3 – Performance #3 – Cobb Energy Performing Arts Centre
Sunday, May 5 – Performance #4 (matinee) – Cobb Energy Performing Arts Centre

Click here for more information about La traviata

To submit an actor/super application, please fill out the form below, and contact Wade Thomas at with any questions.

Supernumerary Application

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  • Please enter your full birthdate, including month, day, and year.
  • Please tell us if you have a beard, mustache, or both.
  • Please list all previous stage experience. If you do not have any, please leave it blank.
  • Please list any special skills (juggling, gymnastics, etc.)
  • Please attach a resume and/or headshot - maximum total file size is 2MB.
    Drop files here or


There are no internships at this time. Please check back for updates.


The gift of your time and expertise is just as valuable as a monetary gift. Last year, Atlanta Opera volunteers contributed more than 6,000 hours. Volunteers help keep costs low and help us fulfill our mission of presenting world-class opera productions, while fostering education about this important art form. The company is so grateful to have such a supportive volunteer team. Their hard work and generosity keeps the beauty and passion of opera alive in Atlanta. Just some of the ways you can volunteer with The Atlanta Opera:

  • Mailings
  • Sell merchandise at Shop Opera
  • Airport transportation
  • Light Walking
  • Final Dress Rehearsal
  • Phone relief/receptionist coverage
  • Archives
  • Filing
  • Special events

For more information about becoming an Atlanta Opera volunteer, please fill out the form below, or contact Sandy Feliciano at 470-419-2927 or

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  • Contact Information

  • Availability

  • Please indicate when you are usually available to volunteer.
  • Employment Status

  • Emergency Contact

  • Demographic Information

    The information below will be held confidentially. Statistics obtained from this information will be used anonymously for grant reporting.
  • Application Agreement

    I certify that the information given stated on this application are true, accurate and complete to the best of my knowledge. I understand that any false statements made by me may be used as a basis for rejection of this application. All volunteers must provide their own transportation. It is the policy of The Atlanta Opera to afford equal opportunity to all volunteers and applicants without regard to age, sex, race, religion, sexual orientation, national origin, marital status or physical disability.